Teach live yoga and workouts your students aren’t dropping out of a Zoom call.
Multi-camera in your studio: wide shot for full-body form, close-up for hand position, instructor cam for cueing. Music synced to the broadcast (not your students' laptop speakers). Stream to your own site, YouTube, Instagram Live, and Facebook at the same time. A browser studio that looks like a fitness app, not a Zoom call.
Built for the fitness + wellness workflow
Multi-camera for form cueing
Wide-shot for the full pose, close-up for hand-and-foot detail, instructor cam for verbal cueing. Live-switch between angles as the cue calls for it.
Music sync that actually works
Audio mix from your studio (instructor mic + music bed at the right balance) lands on every student’s feed at the same volume. No "everyone turn your volume up to the same level" pre-class fight.
Multi-platform for class + audience
Your own paid-class portal + free YouTube class for top-of-funnel + Instagram Live + Facebook simultaneously. The paid student gets the full feed; the public clip becomes the audience-building funnel.
Recording archive for on-demand
Every live class lands in your on-demand library automatically. Subscribers who missed the live get the recording without you re-uploading anywhere.
Why instructors pick TRaX
Zoom is a meeting tool repurposed for fitness. Students lose the video stream the second the connection wobbles. Peloton owns the studio brand but only Peloton instructors get to teach there. Mighty Networks + Skool host the community but punt on the live-video quality. TRaX is the missing piece: real broadcast video and audio quality, distribution your students can watch on the device they actually use.
- Real video + audio quality means students stay until savasana instead of losing the stream mid-vinyasa
- Multi-platform output handles your paid portal AND your audience-growing public class at the same time
- On-demand archive happens automatically. Your subscribers see the replay without you re-uploading
What a live class runs at
Fitness is the one vertical where audio sync is not a detail. A class where the beat and the movement disagree is a class nobody can follow.
- Program canvas
- 1080p60
- Movement is the instruction. At 30 frames a fast flow or a plyometric sequence smears in precisely the moment a participant is trying to copy the shape, which is the one thing the class exists to convey.
- Audio
- Music and voice mixed into the program
- Both are combined before the stream leaves, so every participant on every platform hears them in the same relationship instead of each platform deciding independently.
- Cameras
- Two angles, front and side
- The side angle is how somebody at home checks their own hip position. One camera conveys enthusiasm; the second one teaches form.
- Participant access
- A link, in a browser, on whatever they own
- Your students are watching on a tablet propped against a water bottle. Anything requiring an installation loses the half of the class who were never going to do that.
- Destinations
- Your paid platform and the channel that feeds it
- A single encode covers the paid class and the public channel that recruits for it, which is the entire funnel for an independent instructor.
Programs run at 1080p as standard, and up to 1440p when every destination you have enabled can accept it — the canvas is clamped to the least capable one in the set.
A typical class on TRaX
- 1
Pre-class setup
Cameras + mic + music bed wired once. Same layout every class, just press Go.
- 2
Class begins
Wide-shot for the warm-up, close-up for form cues, music synced at the right balance.
- 3
Stream + record
Paid portal + YouTube + Instagram Live + Facebook all at once. Recording lands in the on-demand library.
- 4
Post-class
Public clip goes to social as the next class teaser. On-demand replay is live by the time you finish savasana.
What an instructor should know up front
Two of these are about music, because music is where fitness streaming actually gets people into trouble.
Sixty is the top rung, and for this it is the right one
Program cadence does not go above 60 frames per second. For movement instruction that is the rung you want rather than a limit to resent, but it does mean a 120-frame phone capture contributes nothing extra to the live output and is only worth having if you are also cutting slow-motion clips afterwards.
Commercial music is licensed per platform, and they all scan
Streaming a chart track to a public platform is a rights question with a different answer on each one, enforced by automated detection that does not warn you first. Production-licensed music or a platform-cleared library is the dull answer and it is the correct one, particularly once classes are recorded and kept.
Live instruction to strangers carries real liability
You cannot see a participant’s form, their space or their medical history, and you are giving physical instruction anyway. A spoken disclaimer at the top, a stated scaling option for each movement and appropriate insurance are part of the format, not optional extras bolted onto it.