10 clients, 10 different streaming tools collapsed into one operator console.
Per-client studios with their own canvas, brand kit, and connected destinations. Per-input + per-output pricing so a 1-destination client doesn’t carry the same license cost as an 8-destination client. Owned in-country CDN so the SLA you signed is on infrastructure you actually control. Not a reseller two layers deep.
Built for the agencies workflow
One studio per client
Each client gets their own canvas + their own connected destinations. Switch between client studios without re-auth.
Modular per-input + per-output pricing
Some clients need 1 destination, others need 8. Pay for the workload, not a flat per-client license.
Owned delivery infrastructure
Stream rides on our own in-country CDN. When you owe a client an SLA, you own the path that delivers it, not a SaaS reseller two layers deep.
Operator-grade canvas
Real scene composition, not preset templates. Build a look once per client and reuse it every show.
Why production agencies pick TRaX
Agencies juggle 5-50 active clients, each with their own brand kit and destinations. SaaS streaming tools built for one creator break at this scale. You end up with a tool-per-client mess. TRaX collapses that into one operator console.
- Per-show modular pricing means you can quote tight margins on small clients and still profit on big ones
- Owned CDN gives you something tangible to put in the SLA
- Real canvas means the same studio handles a podcast and a conference panel without two different tools
Already comparing the alternatives?
How an agency workflow runs on TRaX
- 1
Per-client studios
One studio per client. Each carries its own destinations + brand kit.
- 2
Pre-built scenes
Build the canvas once per client. Reuse it every show.
- 3
Operator from one tab
Switch between client studios in the same browser. No re-auth.
- 4
Bill the workload
Inputs and outputs scale per show, not per month per client.