Stream concerts and live music with audio that actually sounds like a record.
Pro audio in from the FOH desk over SRT: drum bus, guitar bus, vocal bus, full L/R mix, not a smartphone shotgun. Multi-camera FOH + stage + crowd, live-switched by your AV operator. Distribute to your own ticketed PPV portal + YouTube + Facebook + the band's site at the same time. A real concert broadcast, not a phone in the back of the room.
Built for the music venues workflow
Broadcast-quality audio in from FOH
SRT ingest from the front-of-house desk carries the actual mix the room hears. Drum bus, guitar bus, vocal bus, full L/R. The recording sounds like a record because it is the same signal chain.
Multi-camera concert composition
FOH cam + stage cam + crowd cam + drum-cam, live-switched by your AV operator. Picture-in-picture for the guitar solo, full-stage for the chorus, crowd shot for the encore reveal.
Ticketed PPV + free public channels
Your own ticketed PPV portal carries the full HD broadcast. Free public clips go to YouTube + Facebook as the audience-building funnel. The fan who bought the ticket gets the full show; the curious fan finds the band on Reels.
Recording archive for the band
Multi-track audio + the full broadcast video land in the band’s archive automatically. Live album, music-video footage, sync-licensing reel, all from the same broadcast.
Why venues + bands pick TRaX
Most concert streams are a phone video on Instagram with awful audio because the FOH engineer never got to touch the signal. The few that try Wirecast + OBS + an external switcher hit DMCA issues on Twitch and never figured out the ticketed PPV path. TRaX brings broadcast-quality audio, real multi-camera, and a PPV-or-free distribution choice into one tool.
- SRT audio ingest direct from FOH means the broadcast sounds like the room, not a phone microphone
- Multi-camera live-switching turns a concert stream into a real production
- PPV + free output side-by-side covers ticketed fans + audience-growing reach in one show
How a concert broadcast runs on TRaX
- 1
Pre-show signal check
FOH SRT feed, multi-camera positions (FOH, stage, crowd, drum-cam) wired in soundcheck.
- 2
Doors open
Pre-show countdown card on the canvas. AV operator at the back of the FOH booth runs the studio.
- 3
Band hits the stage
Live-switch between cameras through the set. Audio is the same mix the room hears.
- 4
Encore + archive
Multi-track recording lands in the band’s archive. PPV portal stays up for re-watches; YouTube clip cuts are ready by the end of the night.